Menu design

Screenprint. Two inks.

Navy and pink, with the registration slightly off like a hand-pulled screenprint. A menu with the feel of a gig poster that is still effortless to read.

Sample menu in the Screenprint design
Menu
Sample daily menu in the Screenprint design
Daily menu
Headings
Syne
Body text
Instrument Sans
Colours
Columns on A4
2
Dot leaders to the price
No
Ideal for
speciality coffee shop, brunch spot, cocktail bar, modern bar, food truck

Two inks, slightly off register

In screenprinting, each colour is printed through a different screen, and when they don’t line up perfectly the edge of the second colour peeks out. This style recreates that happy accident: the venue’s name, in very heavy Syne capitals, has a pink “ghost” behind it, slightly offset. Section titles repeat the trick with a block of colour shifted under the letters, and a pink bar accompanies the subtitle.

In the top right corner, a dot pattern that gets smaller and smaller recalls the halftones of a printed poster. Dishes are set in Instrument Sans, a clean sans serif, with prices in bold on the right. A featured dish has a fine frame and a bar in the accent colour.

The menu it suits

It works for venues with a clear graphic identity: speciality coffee shops, brunch spots, cocktail bars, bars with a young crowd. It suits mid-sized menus, with short section names that look good in capitals: “Coffee”, “Toast”, “Classics”, “Signatures”.

The offset effect stays in the headlines. Each dish’s description and price are crisp, so the menu reads just as well as a plain one.

Formats where it shines

  • Two-column A4: the full layout, with the halftone in the corner.
  • 4:5 post or 9:16 story: the giant headline with its pink shadow looks great on a phone.
  • A3 poster: for the window or the wall, like a gig poster.

The magic is in the colour pair. Navy and coral is the default, but green and orange or black and yellow work just as well.

Tips to get the most out of it

  • Play with contrasting pairs of inks: navy and coral, green and orange, black and yellow. The effect depends on the second colour peeking out beside the first.
  • Short venue names look best: the headline is in huge capitals and a long one takes up several lines.
  • Keep section names brief (Coffee, Toast, Classics): they are set in capitals with their colour block.
  • For social media, the daily menu’s 4:5 post makes great use of the big headline.

Colours, fonts, columns and format can all be changed in the editor without losing the design. It works on A4, US Letter, slim A4, A5, booklet, tri-fold, A3 and images for social media.

Frequently asked questions

Can I change both colours?

Yes. The ink controls the text and the accent controls the offset shadow, the halftone and the details. Change them separately until you find your pair.

Does the offset effect make it harder to read?

Not in the dishes. The offset only appears in the venue’s name, the section titles and the daily menu price; the descriptions and menu prices are crisp.

Does it work for a long menu?

Yes. Two columns on A4 hold mid-sized menus and the type size adjusts itself. If you have lots of sections, a booklet gives you more space without squeezing.

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