Menu design

Signature. Chef’s menu.

Everything in lowercase, small type, headings in a barely-there grey and plenty of empty space. Signature is the menu you hardly notice, so the food can do the talking.

Sample menu in the Signature design
Menu
Sample daily menu in the Signature design
Daily menu
Headings
Manrope
Body text
Manrope
Colours
Columns on A4
1
Dot leaders to the price
No
Ideal for
fine dining restaurant, tasting menu, chef’s table, chef’s counter, produce-led restaurant

Almost nothing on the page

Signature strips the menu back to the bare minimum. Everything is lowercase, set in Manrope, a clean geometric sans serif, at a small size. The venue’s name is widely letter-spaced; beneath it sit a tiny subtitle and a thin vertical line that drops down towards the dishes.

Section titles are small, spaced-out grey small caps, almost a whisper. Dishes are centred, with the description underneath and the price at the end after a long dash, with no columns. At the foot of the page, a single dot marks the end of the menu.

The menu it suits

Fine dining restaurants, tasting menus and chef-led kitchens with a short menu. Write your dishes the way that world writes them: the main ingredient and two or three elements, no adjectives. The shorter the menu, the better it looks: the type grows when there are only a few dishes, and the white space does the rest.

With a forty-dish menu the style loses its focus. For that, there are options with more structure, such as Brasserie, or with the same spirit and more presence, such as Sumi.

Formats where it shines

  • Slim A4 (140 × 297 mm): one centred column, tall and narrow.
  • A4: with generous margins all round.
  • Booklet: with a cover, for slightly longer menus that keep their breathing room.
  • Daily menu on A5: each dish on its own line and the price at the bottom.

Small type is no excuse to skip the essentials: allergens sit next to each dish as discreet icons or numbers, with a key at the bottom of the page.

Tips to get the most out of it

  • It works with short menus: a tasting menu or a list of fifteen dishes.
  • Write dishes the way chefs do: the main ingredient plus two or three elements (“tomato, strawberry, basil”).
  • If the dining room is dimly lit, swap the grey accent for a darker one to gain contrast.
  • Print it on heavy paper: the design is so restrained that the paper shows.

Colours, fonts, columns and format can all be changed in the editor without losing the design. It works on A4, US Letter, slim A4, A5, booklet, tri-fold, A3 and images for social media.

Frequently asked questions

Is it easy to read with such small type?

The starting size is small, but the type scales itself to fill the page: with a short menu, the text grows. If your menu is long, choose a booklet rather than squeezing it in.

Why do the prices come after the description?

So guests read the dish first. In Signature the price appears at the end, after a long dash, with no column of figures.

Does it work for a daily set menu?

Yes, and it looks very understated: centred, the title in small caps, each dish on its own line and the price at the bottom.

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